New from Alpha Vision Films! This revisionist Western takes a second look at a fabled myth of the American frontier. Spanning the post-Civil War era to the turn of the century, "The Name on the Bullet" will call to question the generally accepted version of the fate of one of the most widely studied personalities in American criminal history. The production was filmed on location at the Frontier Culture Museum of Virginia in Staunton, Va.

Bullet is back, and this time he will have to stake his entire reputation on the line as he goes deep undercover in prison to unfold the mystery of a police corruption ring, being run by one of the most wanted mob bosses in the country, a man known only as Snake.

When Canada was preparing to welcome the world to Expo 67 in Montreal, two artists who contributed their talents were Inuit stonecarvers Kumukluk Saggiak and Elijah Pudlat. They decorated a giant mural in the Canadian pavilion, Katimavik (the meeting place). This film shows the two carvers at work on their wall and also conveys some of their impressions of life in suburbia.

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Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. “The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

A Scotland Yard ballistics expert is called into identify a murderer through a scientific analysis of the bullet that killed a man.

A tale of two hustlers trying to set up a big game.

如果说，我的人生就是在今天这一天中无限轮回的话，那这样的人生也值得肯定吗？ -未来创造展 2022 - HAL东京大赏作品

Fresh out of jail from a life of crime, Dolan Warfield puts down his gun and turns his life around by opening a recording studio. But when a beautiful prostitute gets him involved with a drug kingpin, corrupt cops and the Irish mob, his dream of a life without violence is riddled with holes.

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